Indirect exposition has always occurred in storytelling incidentally, but is first clearly identified, in the modern literary world, in the writing of Rudyard Kipling. This can be done in a number of ways: through dialogues, flashbacks, characters' thoughts, background details, in-universe media, or the narrator telling a backstory. The idea is to clue the readers in to the world the author is building without them being aware of it. Indirect exposition, sometimes called incluing, is a technique of worldbuilding in which the reader is gradually exposed to background information about the world in which a story is set. Exposition works best when the author provides only the bare minimum of surface information and allows the readers to discover as they go.
There are cases where an information dump can work, but in many instances it slows down the plot or breaks immersion for the readers. This is ill-advised in narrative and is even worse when used in dialogue. In fiction Īn information dump (or infodump) is a large drop of information by the author to provide background they deem necessary to continue the plot. Although the expository writer isn't primarily taking a stand on an issue, they can't-and shouldn't try to-keep their opinions completely hidden. In exposition, as in other rhetorical modes, details must be selected and ordered according to the writer's sense of their importance and interest.
Behind all the details lies an attitude, a point of view. However, no essay is merely a set of facts. To expound is to set forth in detail, so a reader will learn some facts about a given subject. Īn expository essay is one whose chief aim is to present information or to explain something. It should clearly inform readers about a specific subject. An expository paragraph presents facts, gives directions, defines terms, and so on.
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